Behind the Lens: Corielle Jewelry Visual Story by Dwayne Tucker

House of Hearts — A Corielle Photo-Story
Photography & Production by Dwayne Tucker | TuckerTookThat

Meeting Cori: Our First Collaboration Begins

Cori, the founder and creative mind behind Corielle, had flown in the night before. This was our first time meeting in person, and within moments, I saw the energy she brings to her craft. She’s deeply intentional. Every piece of her collection tells a story, and I wanted the photography to honor that.

Why Pre-Production Matters in High-End Photography

In the days leading up to the shoot, I kept my promise to her. I sketched out concepts, mapped the light, imagined the frames before they existed. Pre-production isn’t glamorous, but it’s where the creative heartbeat begins. We had a clear vision, and now we were about to bring it to life.

The Value of Full-Scale Production
Productions like these — real productions — can get expensive fast. The kind of photography that moves people and elevates a brand, takes more than just a camera and a good idea. It takes gear, people, time, and most of all, intention. That morning, I had packed enough equipment to build out any concept we might dream up. I wanted Cori to see what my team and I could bring to the table — not just technically, but creatively.

Of course, I have a portfolio. Years of work that showcase the kind of visual quality and direction my team can produce. But even the strongest portfolio can’t replicate the energy of a live set: real-time collaboration, adjustments in the moment, and the way the mood shifts when the light hits just right. This was her brand, her story. This shoot was my way of showing how we could tell it.

The weather was perfect. Palm Beach gave us perfect photo-light and skies without a single complaint. The kind of weather that lets you focus on the work — fully, joyfully — without worrying about backup plans.

But this story didn’t begin here in Palm Beach. It started a few months earlier with a Google search.

Enter Reina: The Connector

I had typed something like “PR publicist Palm Beach” into Google, just exploring. Miami had been my home base for years, but I felt a pull to expand north. There’s something about Palm Beach — the light, the energy, the elegance — that makes it ideal for portraits. I was looking to connect with someone who understood that creative nuance and could help me tap into the right circles.

That’s how I found Reina.

Her energy had a spark. Slightly chaotic in a way that felt productive — like she was always moving and probably talked with her hands. I reached out. We exchanged a few messages, and not long after, I invited her to a shoot.

At the time, I had a commercial photography assignment for a jeweler showcasing her line at the Winter Equestrian Festival in Wellington. After wrapping that shoot, I still had my gear in the car and a suite at The Ben with beautiful hallways. I texted Reina: come through. Let me take a few portraits of you.

It was one of those spontaneous moments where you don’t overthink. Just create. Maybe one day when someone writes the story of my photography career, they’ll find that little chapter — the shoot at The Ben that quietly led to something more.

When she arrived, I noticed her necklace right away. It was striking. She told me. “It’s from Corielle.”

I mentioned that I was looking to do more jewelry campaign work, and without hesitation, she said “I have someone I need to connect you with. You’ll love her.”

That someone was Cori.

The Build: From Miami to Palm Beach

We left Miami at 5 a.m. The sky was still dark, the air was cool, and the city felt peaceful. It was the kind of morning that makes you feel like you’re ahead of the world. To make room for all the gear, I had to take out my golf clubs from the SUV, which wasn’t easy for me. As we drove into Palm Beach and passed the Par 3 course, I saw the maintenance team mowing the greens. If I wasn’t shooting that day, I’d probably be teeing off right then. But this shoot was the priority.

My assistant Johnny and I were fueled by a pair of Celsius energy drinks I had picked up before we left the house. We were going to need them to get through the commute, the full shoot day, and the drive back to the studio that night. On the road, we listened to music. Johnny’s a musician too, so we shared some of our past projects and I even played him a track I had done with a good friend (SUBPAT) for his first project. Creative energy all around.

(Made it this far? Follow me on IG – @DwayneTucker – to stay plugged into everything—including the making of SUBPAT’s Subterranean cover.)

In the car, I had my sketchbook with my gear checklist and a printed version of the creative brief. I like to have everything mapped out — something physical to stay aligned with the vision.

As we entered the neighborhood, I was struck by how beautiful it was. The homes had that wealthy old money island feel, like something out of Harbor Island in the Bahamas. Manicured landscapes. Clean design. Quiet elegance.

When we arrived, we met Cori, did a quick walkthrough of the property, and immediately began unpacking. Johnny and I started building the production setup — C-stands, sandbags, 8×8 and 6×4 scrims, modifiers, and reflectors. We hadn’t had the chance to scout the location beforehand, which is rare for me. Usually I like to know every angle and walk the space ahead of time. But sometimes, you have to think on your feet and still deliver the same quality.

We built the first and second scenes out front in the driveway. We wanted clean, studio-feeling portraits using natural light — a refined, editorial look. The second scene was titled “The Arrival,” featuring Montana, our model playing Lauren, returning to the house with that calm, graceful energy that set the tone.

The final scene was shot in the backyard by the pool. The light was soft. The mood was intimate and timeless.

Telling the Story: House of Hearts

This campaign wasn’t just about jewelry. It was about telling a story. “House of Hearts” centers on two sisters — Lauren and Blake — returning to their family’s Palm Beach home for their annual visit. It’s about connection, legacy, and quiet luxury. Bubblies poured, letters aged with time, moments quietly exchanged by the poolside. The jewelry—woven into the sentiment, an heirloom of memory itself.

Cori’s sister, Stephanie, was on set. One of the necklaces is named after her middle name too — The Blake. A bracelet is named after her daughter, Waverly. Having both sisters there added meaning. The energy turned the story into something real.

Montana channeled Lauren beautifully. She wasn’t just modeling. She was living in the character. Reina brought her signature energy. Stephanie brought warmth and mastermind for set design. Johnny kept things moving with gear and setup. Cori led with vision and trust.

And me — I photographed, directed, and shaped the light to bring it all together.

Photographer Dwayne Tucker and Montana.

Final Thoughts

Every TuckerTookThat shoot is different—except for one thing: my perpetually sweaty shirts. I always bring two, just in case. Some shoots take weeks of prep and location scouts. Some unfold on the fly. But what stays constant for me is the level of care I bring to each one. From leaving Miami in the dark, sketchbook and Celsius in hand, to building a full set from scratch in a Palm Beach driveway — this is the kind of work that fuels me.

We didn’t just photograph jewelry. We told a story of women, of memory, of emotion. And I’m proud of the world we created together.

Stay tuned,

Finding Yoga in Miami: A Photographer’s Journey of Healing and Creativity

As a photographer, I’ve always believed in capturing what I love. The things that inspire me, challenge me, and make me feel something, those are the moments I want to freeze in time. But my journey to discovering yoga wasn’t just about a new practice for my body; it was also about finding a way to connect my photography with something deeper, something that could help me heal and feel better day by day.

Yoga photography by Photographer Dwayne Tucker featuring April Gardner.
My favorite silhouette photo of April Gardner – Yoga Photography by Dwayne Tucker
Yoga photography by Photographer Dwayne Tucker featuring Good Vibe Savannah.
Good Vibe Savannah – Yoga Photography by Dwayne Tucker

I’ll never forget the moment that changed everything. I was walking the fairways at Riviera Country Club (Coral Gables), caddying for clients in 2019, when I stepped in a hole and felt a sharp pain shoot through my knee. It wasn’t the first time my body had reminded me of the toll years of skateboarding, basketball, and other high-impact activities had taken on me, but it was the wake-up call I needed. I had spent years taking my body for granted, never focusing on stretching or caring for the muscles and joints that carried me through life. I was young, strong, and I relied on that, until I wasn’t.

Yoga photography by Photographer Dwayne Tucker featuring Yana Yoga, Miami, Florida.
Yana Yoga with advanced poses – Yoga Photography by Dwayne Tucker

In the aftermath of my injury, I found myself in physical therapy, working hard to regain mobility and strength. During these sessions, I began stretching regularly, and CJ introduced me to yoga taking me to my first yoga class. At first, I wasn’t sure what to expect. I had always associated yoga with flexibility, something I wasn’t sure my body was ready for after the injury. But CJ invited me to my first heated yoga class, and I was intrigued. Little did I know that yoga would become a turning point, not just for my body, but for my photography as well.

As I became more invested in yoga, I began noticing how it made me feel; not just physically, but mentally too. It helped me move with more awareness, it eased my pain, and it brought a sense of calm to my often hectic days. The more I practiced, the more I felt compelled to capture the beauty of it. Photography has always been my way of telling stories, and yoga presented an entirely new story to share. I wanted to document the peace, strength, and vulnerability I witnessed in the practice of yoga, capturing those fleeting moments that speak volumes.

Nicole for Capezio photographed by Dwayne Tucker in Miami, Florida.
Nicole for Capezio photographed by Dwayne Tucker in Miami, Florida.
Nicole for Capezio yoga photographed by Dwayne Tucker in Miami, Florida.
Nikki yoga and pilates for Capaezio yoga – Yoga Photography by Dwayne Tucker

So, I set out to photograph yoga in Miami, hoping to bring my newfound passion for the practice into my work. I was eager to share the authenticity of the practice, the dedication, and the beauty of each posture. Photography became a way for me to not only experience yoga in a new light but also to bring that energy to others through my lens. I began photographing yogis, capturing moments of stillness, focus, and strength. The camera allowed me to connect with my subjects in a unique way, and I soon realized that yoga wasn’t just a physical practice, it was a mental and spiritual one that deserved to be captured in its truest form.

Raquel with Manduka Yoga Mat Meditating - Photographed by Dwayne Tucker in Miami Florida.jpg
Raquel with Manduka Yoga Mat Meditating – Yoga photography by Dwayne Tucker
Photographing Kris Metz yoga in Colorado – Yoga photography by Dwayne Tucker

However, my journey into the yoga community wasn’t without its challenges. When I first set out to photograph yoga in Miami, I assumed it would be easy to find the right teachers and students who were open to collaboration. But the reality was more complicated. While I encountered some incredible yogis, I also met a few who didn’t quite understand the value of what I was doing. Many were focused on the latest yoga trends, their outfits, and their Instagram photos rather than appreciating the artistry of a photographer’s work. It was a stark contrast to my experiences photographing yoga in places like Colorado, where the practice seemed to be more focused on inner growth than outward appearance.

Boulder Colorado Yoga – Yoga photography by Photographer Dwayne Tucker.

Despite these challenges, I remained committed to capturing the essence of yoga, the raw, unfiltered beauty of it. Photography, for me, is more than just documenting what’s in front of the camera. It’s about telling a story, about connecting with the people and the practice I’m photographing. Yoga became a powerful tool for me to connect with my own body, and in turn, it gave me the lens through which to connect with others.

Through my experience with yoga, I’ve learned that the best work comes from a place of passion. Whether you’re photographing a yoga class, a fashion shoot, or a product for a brand, creating something authentic is what resonates most. For me, yoga has not only helped me physically but also deepened my appreciation for photography as a form of storytelling. It’s about capturing moments that speak to the heart, moments that inspire, and moments that showcase the essence of what we love.

Anayansy yoga Miami, Florida – Yoga Photographer Dwayne Tucker – Summer 2022
Vicki Balabous in Alo Yoga photography by Photographer Dwayne Tucker.

I’m constantly reminded of the importance of shooting what you love, no matter what that passion may be. Whether it’s yoga, travel, or lifestyle, the key to creating meaningful work is to be authentic and true to your vision. Photography is my way of sharing what I’m passionate about with the world. And through yoga, I’ve discovered that there’s always room for growth, for connection, and for capturing the beauty of life in its purest form.

As I continue my journey as a photographer, I’m excited to keep exploring the world of yoga and to share that journey with others. Whether you’re a brand looking for unique content, a yoga studio wanting to showcase your community, or a fellow photographer seeking inspiration, I invite you to connect with me. Let’s create something beautiful together. A story told through the lens that captures the heart of what we do.

Stay tuned,

A Hat for Winners: From Fairways to Photos

It was a Tuesday morning, the kind where the sun was just starting to rise, casting a soft golden glow over the fairways of Granda Golf Course. The air was still crisp, and the ground was dotted with morning dew, the kind that makes the grass shimmer in the early light. But as we made our way to the first tee, the sunlight was a bit more intense than usual. It beamed straight into my eyes, making the first two holes feel almost like a hazy dream. I could barely make out the flag, squinting into the brightness as I lined up my shots. It was one of those moments where everything feels a little off, but you keep playing because, well, that’s golf.

I glanced over at Tony Rodriguez, standing a few feet away, his eyes fixed on the green ahead, completely unfazed by the blinding light and the dew still clinging to the blades of grass. Tony isn’t just any model—he’s worked with brands like Nike, Dior, Puma, and El Palacio de Hierro. The kind of brands that make you pause when you see their name in lights. But for me, he’s not just the model; he’s a friend. A neighbor turned golfing buddy.

The hat. A Hat for Winners. A symbol of something bigger. As I write this, I’ve named the hat “Island Gold.” I had just received my new TuckerTookThat hats, representing my photography brand and my passion. I had wanted to shoot it for a while now, and who better than Tony, the guy who has always given 110% on and off the course?


Now, Tony might not have known it, but today he was wearing the hat of a winner. And, ironically enough, he might not have even realized how fitting that was because, for the first time in our golf history, he beat me. The tables had turned, and I was still a little bitter about the mistakes I’d made during the game. But that’s golf, right? Sometimes you win, sometimes you lose, and on this day, Tony was the one to walk away with the win.

I didn’t mind. After all, I win in my own way—through my photography. And Tony, well, he’s always been a winner. There’s no one else who works harder, who puts in the hours, who is so dedicated to being the best. And that’s why I knew this portrait session would be a good one.

After our game, Tony had a few hours to spare before his flight to New York for another shoot. I could tell he was in a rush, but I convinced him to swing by my home studio for a quick portrait session. “I’ve got some new gear to test,” I said. “A new lens, a new V-flat, and I want to make some photographs of you in my new hat and finally photograph you.”

This wasn’t just another shoot. This was my brand. My vision, my work, captured in a single frame. Captured with very little time and a look that I’ve done many times before, but looking to fine-tune it. We’d often talked about collaborating, whether for a commercial or a brand assignment, but today was different. This time, the brand was my own. And it felt right.

I couldn’t wait to share these portraits with the world. These are the world’s best shots—unplanned, we didn’t have a stylist, Tony was fresh off the golf course, and in the world of production, we were free-styling with all of this. But I’m glad we decided to create the shots because that moment will never be the same again. That’s the beauty in photography for me. The hat was more than just an accessory. It was a reminder that we’re all winners in our own way: through the hard work, dedication, and passion we bring to our craft. This ain’t Nike, but them checks come when you just do it…

Stay tuned,

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